Talent isn't usually the problem. Most creative people lose ground because nobody taught them what they were signing. I've negotiated sync, licensing, and distribution agreements across 20+ artist projects, executive produced an award-winning film soundtrack across three production companies, and taught 3,000+ creatives how the business actually works. In this session, your audience learns to read their own deals: what they actually own, where their money leaks, which clauses matter, and the questions to ask before signing anything again. Practical, specific, and immediately usable — attendees leave with a framework, not a warning.
